This is probably one of the most unique approach to an action film in recent memory. I mean it's obviously not a musical in the sense that you're probably thinking of (Bollywood, Broadway, old Hollywood movies).
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How to describe this movie? I mean, simply put, it's a musical heist movie. That's neither here nor there and, quite frankly, if he had stayed on, we might not have gotten this and, really, I'd rather see him explore his vision unimpeded as opposed with the specter of Marvel hanging behind him overseeing his every decision. I'm sure, even with Wright behind the wheel (pun not intended), it still would have been the same homogenized Marvel vision, but I feel that he would have been able to add his own vision to where it still felt something uniquely his. That's why I was so disappointed to see that he had left Ant-Man prior to filming.
So, yea, you could say that I am quite a fan of this guy and his vision.
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This is going up on Letterboxd, where this is the first Wright movie I've reviewed, but over on Flixster/RottenTomatoes, not one of his movies (that I've reviewed) have received anything less than four stars. I'm not saying he's one of the few, but there's plenty of people that have tried to do the same things he has without nearly the same level of critical success. He's got something that not many directors have and that's a keen eye for creating stylish, exciting action (if the film calls for it, at least) and creating create characters that you become totally invested in. Perhaps not always commercially (see Scott Pilgrim vs The World, which while I absolutely LOVED, was a major flop), but always creatively. Edgar Wright has a pretty stellar reputation when it comes to being a successful filmmaker.
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